"And it came upon me wave on wave"
Dec. 23rd, 2003 01:27 pmSailed out last night on a ship of fools; dreams took me where I needed to fall and the earth pulled me in and kept me warm and I felt comforted.
I had another dream about my friends, but since people seem shocked if I mention a few words out of context, I won't go into detail. It was a good dream. We were all wide open and there were no scars or broken parts and if there were it was all just kiln tears. Like when he touches the scars on my ankles or the scar under my arm or the ones on my stomach and calls them kiln tears; perfect accidents that would otherwise mar the surface and make the piece ugly or deformed but instead add to an indescribable almost sad beauty.
The night he came home we cuddled and talked and he held me very close and whispered things I hadn't realized I'd needed to hear. I cried when he touched the scar under my arm because it hurt and he thought I hurt inside because of what that scar signified. The life I almost never had. Testament to breaths I couldn't draw on my own. Of the fight and the right to live and become who I am.
He likened me to a sculpture being eternally worked on. The Unfinished Piece. My artist slipping with his chisel but choosing to keep the imperfections, so his masterpiece could have character, could have something powerfully unique in the world. My father's most detailed sculpture, my mother's most colorful painting, given over to my lover to continue polishing and coaxing. Michelangelo did not so much carve David as bring David out of stone. What lies beneath the surface will always be there. It just needs to be brought out a little at a time, day by day and year by year, and every chip and scar and scratch is a second of life and memory and in this world there are no broken pieces, only missing parts of a whole that can be found if we look hard enough in the right places.
I had another dream about my friends, but since people seem shocked if I mention a few words out of context, I won't go into detail. It was a good dream. We were all wide open and there were no scars or broken parts and if there were it was all just kiln tears. Like when he touches the scars on my ankles or the scar under my arm or the ones on my stomach and calls them kiln tears; perfect accidents that would otherwise mar the surface and make the piece ugly or deformed but instead add to an indescribable almost sad beauty.
The night he came home we cuddled and talked and he held me very close and whispered things I hadn't realized I'd needed to hear. I cried when he touched the scar under my arm because it hurt and he thought I hurt inside because of what that scar signified. The life I almost never had. Testament to breaths I couldn't draw on my own. Of the fight and the right to live and become who I am.
He likened me to a sculpture being eternally worked on. The Unfinished Piece. My artist slipping with his chisel but choosing to keep the imperfections, so his masterpiece could have character, could have something powerfully unique in the world. My father's most detailed sculpture, my mother's most colorful painting, given over to my lover to continue polishing and coaxing. Michelangelo did not so much carve David as bring David out of stone. What lies beneath the surface will always be there. It just needs to be brought out a little at a time, day by day and year by year, and every chip and scar and scratch is a second of life and memory and in this world there are no broken pieces, only missing parts of a whole that can be found if we look hard enough in the right places.